Let’s be honest, Time
and the Rani are not the greatest episodes of Doctor Who. In terms of
episodes being reviewed in our 12 for 12 feature it comes second last for fan
favourite (only slightly better than The
Twin Dilemma) and last in choice out of us all at The Gallifrey Times. Of course this episode is also now
overshadowed by the death of Kate O’Mara (the Rani) earlier this year and it’s
a shame to think that this episode is so greatly disregarded despite her wonderful
performance. The episodes are full of other gems as well though, as we shall
last outing onto TV Doctor Who has struggled through a period of suspected
cancellation and has fired its lead actor to be replaced Sylvester McCoy. It is
said man who lies on the floor of the TARDIS now, however his usual guise is
not yet revealed as he wears a blonde curly wig to imitate the Sixth Doctor.
Colin Baker had refused to return after his dismissal from the show and so this
sequence was created to allow Sylvester McCoy to play both incarnations. When
the Rani enters the TARDIS we get the famous line,
Leave the girl, it’s the man I want.
the Doctor, as he does, the purple light of regeneration fills the Doctor’s
face. The only change of course is the disappearance of the wig.
late 1980s with a more focused approach on the TARDIS and a galaxy than the
show has had previously. Sylvester’s
face makes its well-known appearance and we get the opening credits ‘Time and the Rani by Pip and Jane Baker’.
Rani puts Einstein into a holding cubicle before going off to prepare her
laboratory where the Doctor lies on a central table. The Doctor wakes and is
excitable but instantly recognises the Rani and argues with her about what evil
plans she is getting up to. He finds it has something to do with strange matter
before attempting to escape.
inside the TARDIS and plans to take her in a trade for the Lakertyan leader
Beyus, who is enslaved by the Rani. Mel escapes but stops when she sees Sarn,
another of the Rani’s Lakertyans get caught in a trap and killed.
disguises herself as Mel so that when he wakes up, he gets the two confused.
While the Doctor is fooled, the real Mel tries to reason with Ikona and once
she has saved him from a trap, he believes her. The Doctor meanwhile is shocked
at his appearance and attitude, thinking himself grumpy and cynical in his new
regeneration. He continues to get common idioms wrong and plays the spoons
across where he should be working. The Rani continues to try and persuade him
to help her fix the machinery which ‘he’ had started.
Tetraps are being fed by Beyus underneath the Rani’s HQ. The Doctor says he
must return to the TARDIS to get a component needed for the machinery and as
they walk across the planet the Rani ‘reiterates’ what the Doctor has already
told her. Once at the TARDIS the Doctor tries on different clothes, including
many from previous incarnations before finally deciding on an outfit which is
now vital to the Seventh Doctor era. The Doctor hallucinates about the
difference between Rani-Mel and the real Mel before deciding that the Mel seen
on the TARDIS scanner (the real one) is actually the Rani in disguise!
trap and whisked into the air as Ikona watches. One of Mel’s infamous screams
is heard as she batters around the cliff faces before the credits role to
signal the end of part one.
developments being; the Rani starts to drop hints about not being Mel, Mel
breaks into the Rani’s HQ, the Rani leaves to collect material she needs, Mel
and the Doctor check each other’s pulses to see that they are both who they say
they are, they discover the strange matter will explode and kill the nearest
corner of the galaxy, the Doctor wants to know what’s in the Rani’s locked room
at the back of the laboratory, the Rani wants to put the Doctor in a cubicle,
the Rani reveals herself to the Doctor and he becomes trapped in the Tetrap pit
trying to escape.
of the Doctor is that he claims himself to be his seventh persona; this opposes
the notion that the Doctor had incarnations before his first as suggested in The Brain of Morbius.
from Beyus but angers at the captures scientists and suggests that the Rani is
trying to perform some kind of time experiment. The Doctor then steals an
important component to the Rani’s work before escaping the HQ. Mel, however,
has been captured and subdued by the Tetraps and so the Rani offers to exchange
her for the component.
to the Centre of Leisure where the other Lakertyans reside. The Rani threatens
them by releasing a swarm of deadly insects from an orb which is suspended from
the ceiling after hearing of how Ikona killed a Tetrap. The Doctor agrees to
trade for Mel but upon her return it transpires that she is only a hologram!
The Doctor sets off to return to the HQ where Mel has been set to work to help
Beyus. The Rani and Mel argue over the success of the Rani’s venture, but the
Doctor is caught and put inside a cubicle. Mel argues with Beyus but he will
not be persuaded to fight the Rani.
both Beyus and the Rani but neither will budge, Mel screams and is grabbed by a
Tetrap, the Doctor is linked to the mainframe…
revealed, more coming and going of Lakertyans and about four untaken opportunities
to round off the episode with a suitable conclusion. As for this episode, the
most interesting thing to take from it is the Doctor briefly suggesting that he
discovered how time travel worked in the first place, saying it didn’t take him
long to work it out.
his relationship with Mel it does leave some rather gaping plot holes and
unanswered questions. Andrew Cartmel, the script editor at the time, suggested
in a recent Doctor Who Magazine feature that he should have demanded bigger
script changes off of Pip and Jane Baker or dropped the episode altogether.
show was finally cancelled. He would star in some of the series’ most well
remembered serials, including the complete 25th anniversary season. His Doctor started to develop a darker more
mysterious nature towards the end of his tenure, something that Peter Capaldi
has promised us we will receive with his new Doctor.
tomorrow before finding out who’s filling McCoy’s shoes in The TV Movie.